* error - from errare, which is the latin term for wandering

Script 1 - 20. 04. 2023

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trypophobia
ornithophobia 
o.o.o.o.o.o.o.o.o.o.o.o.o.o.o.o.o !

infographics/diagrams
The staged body 
The narrated/corrupt body 

Institutional formalism draws a hidden picture of repression - it objectifies bodies to dictate meaning, 
A repressed reading of history generates repressed bodies 

How to create and distribute a haptic image of reality 
How to own one’s identity, as an art object, and as an individual 
How to Steal oneself back 

The meaning of Stealing/Claiming 
The term Stealing (which has negative connotations(whereas claiming is "positive”)), emphasises the intention to challenge repressive attitudes  
To divert , disrupt, trick the systems that produce them.
In the act of appropriating (drawing) and arranging (connecting) objects (symbols/metaphors),
we point to construct another system that accounts for human error*, (which are usually repressed), and therefore accounts for empathic exchange (per-ception, e-motion) 

Making DIY art is a political gesture - it is a practice to think independently - scanning the landscape to access unexplored possibilities 

* error - from errare, which is the latin term for wandering

memory atlas
mapping
the neuroscientist Israel Rosenfield: ‘there is a deep relation between movement and memory…maps in this sense constitute our very [emotional] fabric’
common motifs, signs, signifiers, empty to refill
accumulation
anti-historicist

de-centering the human
collaborative structures, the wood wide web, the opposite of a person

camouflage and environment
collage
translation/hiding in plain sight

know the score
desiring bodies
break the rules

to move and be moved
blurred/disrupted/occluded
optic visuality/carnal knowledge
an acetate graphic of a white coat on a hook is affixed to a window of a dry cleaners. i take a photograph because I want it. I want to own it. this constitutes a form of theft -- the graphic steals itself

impermanence of form is change of function
the poem will resemble you

cheekiness as feminist strategy
against Appropriation? n. the deliberate reworking of well know works (of art), post-modern preoccuation
for appropriation? 
collage: dispelling truths, exanding histories, gaps, the space between two waves, infinite doubt, accepting loss as an inherent condition of our medium

Punk was fuelled by nervous energy. 

Eugène Atget Rampe de l’escalier de l’hôtel Sully-Charost, 11 rue du Cherche-Midi, VIe, 1904–05, albumen print ©Musée Carnavalet Paris

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